{"id":266,"date":"2022-11-11T12:02:35","date_gmt":"2022-11-11T11:02:35","guid":{"rendered":"http:\/\/dominiquepotard.com\/?p=266"},"modified":"2023-01-10T18:20:06","modified_gmt":"2023-01-10T17:20:06","slug":"1-passage-2-sans-visage","status":"publish","type":"post","link":"https:\/\/dominiquepotard.com\/index.php\/2022\/11\/11\/1-passage-2-sans-visage\/","title":{"rendered":"Temps-Tant de femmes"},"content":{"rendered":"\n

Quelques images de mon travail autour des femmes, des transformations du corps, des blessures, atteintes \u00e0 leur corps et aussi de la volupt\u00e9. Travail de 1997 \u00e0 2012.<\/p>\n\n\n\n

Mettre \u00e0 jour la m\u00e9tamorphose du corps-sujet. De franchissements en transformations, de la vie \u00e0 la mort : combien de passages, combien de vies, combien de luttes pour se d\u00e9jouer des carcans, vivre, bouger au-del\u00e0, penser \u00e0 bras le corps – exister, unique comme autant de facettes d’une \u00e9vidence existentielle, d’une pens\u00e9e construite, assum\u00e9e, lib\u00e9r\u00e9e.<\/p>\n\n\n\n


Fils, trames, tissus – enveloppe palpable, lien entre le visible et le perceptible. Rendre le perceptible \u00e0 soi visible aux autres.
Interroger les codes. Se raconter, et aussi les autres. Du v\u00e9cu, de l’entendu, du partag\u00e9.<\/p>\n\n\n\n

\n
\"\"<\/a>
Les Tondues<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
5000 femmes par jour<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Am\u00e9 Ga\u00efa<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Bouche d’ombre<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Chronique d’une mort annonc\u00e9e<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
D\u00e9rive<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
des habits pour la vie<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
exposition performance chapelle des Paulines Tr\u00e9guier 2012<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Femme debout<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
La fillette. Photo – Antoine de Givenchy<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Femmes qui courrent avec le vent chapelle des Paulines Tr\u00e9guier<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
La part de l’Autre miroir, papier de soie<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
La source racine et fil de cuivre<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
L’armure et L’inpensable l\u00e9g\u00e8ret\u00e9 de l’\u00eatre<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
L’armure<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
L’autre Olga<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Le linceul<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Les tondues et Femmes qui courent avec le vent<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
L’impensable l\u00e9g\u00e8ret\u00e9 de l’\u00eatre<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
O\u00f9 comment le sexe et le pouvoir ne font pas bon m\u00e9nage<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Temps de vieilles, Tant de belles<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Vue exposition<\/figcaption><\/figure>\n<\/figure>\n\n\n\n
\n

Mettre \u00e0 jour la m\u00e9tamorphose du corps-sujet. De franchissements en transformations, de la vie \u00e0 la mort : combien de passages, combien de vies, combien de luttes pour se d\u00e9jouer des carcans, passer entre les mailles du filet et exister – vivre, bouger au-del\u00e0, penser \u00e0 bras le corps – exister, unique comme autant de facettes d’une \u00e9vidence existentielle, d’une pens\u00e9e construite, assum\u00e9e, lib\u00e9r\u00e9e.
Fils, trames, tissus – enveloppe palpable, lien entre le visible et le perceptible. Rendre le perceptible \u00e0 soi visible aux autres.<\/p>\n\n\n\n


Enveloppes diaphanes, transparences et interstices – derri\u00e8re, le corps.
Interroger les codes. Se raconter, et aussi les autres. Du v\u00e9cu, de l’entendu, du partag\u00e9.
Tourner les pages une \u00e0 une, faire remonter les souvenirs \u00e9vanescents, s’y arr\u00eater.<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Quelques images de mon travail autour des femmes, des transformations du corps, des blessures, atteintes \u00e0 leur corps et aussi de la volupt\u00e9. Travail de 1997 \u00e0 2012. Mettre \u00e0 […]<\/p>\n","protected":false},"author":1,"featured_media":961,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-266","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe"],"yoast_head":"\nTemps-Tant de femmes -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/dominiquepotard.com\/index.php\/2022\/11\/11\/1-passage-2-sans-visage\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Temps-Tant de femmes -\" \/>\n<meta property=\"og:description\" content=\"Quelques images de mon travail autour des femmes, des transformations du corps, des blessures, atteintes \u00e0 leur corps et aussi de la volupt\u00e9. 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images de mon travail autour des femmes, des transformations du corps, des blessures, atteintes \u00e0 leur corps et aussi de la volupt\u00e9. Travail de 1997 \u00e0 2012. Mettre \u00e0 […]","_links":{"self":[{"href":"https:\/\/dominiquepotard.com\/index.php\/wp-json\/wp\/v2\/posts\/266","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/dominiquepotard.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dominiquepotard.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dominiquepotard.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dominiquepotard.com\/index.php\/wp-json\/wp\/v2\/comments?post=266"}],"version-history":[{"count":3,"href":"https:\/\/dominiquepotard.com\/index.php\/wp-json\/wp\/v2\/posts\/266\/revisions"}],"predecessor-version":[{"id":790,"href":"https:\/\/dominiquepotard.com\/index.php\/wp-json\/wp\/v2\/posts\/266\/revisions\/790"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/dominiquepotard.com\/index.php\/wp-json\/wp\/v2\/media\/961"}],"wp:attachment":[{"href":"https:\/\/dominiquepotard.com\/index.php\/wp-json\/wp\/v2\/media?parent=266"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dominiquepotard.com\/index.php\/wp-json\/wp\/v2\/categories?post=266"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dominiquepotard.com\/index.php\/wp-json\/wp\/v2\/tags?post=266"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}